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Feature: Sunday Painter | David Lynch

The renowned film director is this week’s #SundayPainter.  Although primarily known for his ground-breaking, highly influential film work, Lynch began as a visual artist.  The dark nature of his films present in all his disciplines, none more so than his paintings.  Often combining more than just paint, Lynch deploys sculpture, drawing and even type whilst edging toward a more naive style in recent works.

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David Lynch (American, b.1946) is best known as a prolific modern filmmaker. However, his work stretches out into the world of television, music, painting, and many other forms of art. His style is often characterized as surrealist, and he has even been branded with his own style, called Lynchian Style. Lynch was born in Missoula, MT, and moved around from place to place until he landed in Philadelphia, PA, where he enrolled in the Pennsylvania Academy of Fine Arts.

After a stint in Philadelphia, he moved to Los Angeles, CA, where he launched his film career. While working at the AFI Conservatory, Lynch created his first motion picture, Eraserhead (1977), a black-and-white surrealist horror film. The film was not acclaimed by critics, but it has held a strong cult following since its release. It wasn”t until the film The Elephant Man (1980) that Lynch received his first real taste of critical and commercial success. The film received eight Academy Award nominations, including Best Director. More importantly, Lynch became a household name, whose art has reached millions of viewers. Along with several feature films, Lynch has created many short films, several television series, and even some music videos.

Although most commonly known for his films, Lynch initially studied to be a painter. Lynch’s painting is characterized by its absence of color. He believes that black is a liberating factor and uses it to make his works become more dreamlike. In 2007, a major art retrospective on Lynch, The Air is on Fire, was displayed at the Fondation Cartier in Paris. This exhibition contained paintings, photographs, drawings, and other work, including site-specific installations.

( http://www.artnet.com/artists/david-lynch/biography )

stripey-mouse
The capitalists owned everything in the world, and everyone else was their slave. They owned all the houses, all the factories, and all the money. If anyone disobeyed them they could throw him into prison, or they could take his job away and starve him to death. When any ordinary person spoke to a capitalist he had to cringe and bow to him, and take off his cap and address him as sir.
Excerpt from Orwell’s 1984 (via socialismandstuff)